It has been a fantastic year for Find a Proofreader. We bought the site in April and redesigned and relaunched it in May, and since then over 100 advertisers have joined us from all over the world. That’s a 300% increase in advertisers, so we’re very pleased. We’ve also had 17 articles submitted to our new Articles page which has added value to the site and given people yet another reason to visit!
To celebrate a successful year and to end 2012 with a bang, we have decided to offer a special discount to new advertisers over the Christmas period. Anyone who joins between now and January 1st 2013 (midday UK time) will get a 25% discount on their listing! That means that a standard listing under any of our categories (Proofreaders/Editors, Copywriters, Indexers etc) will cost just £15 instead of £20!
If you’d like your listing to really stand out, you can take advantage of our specially discounted Category Featured listing. These have been temporarily reduced from £45 a year to £35 – a snip when you consider all the extra visits your profile will attract!
We look forward to adding lots of new proofreaders, editors, copywriters and other freelancers to the site soon! We’d like to also take this opportunity to thank all our existing advertisers for their support this year. Roll on 2013!
19/12/2012 | Admin
An editorial portfolio to your website gives potential clients confidence that you’re a good fit for them.
Imagine this scenario: Mr Indie Author has spent 7 years thinking about his debut novel, 19 months writing it, and 3 days trawling Google and various directories like the SfEP’s Directory of Editorial Services and Find a Proofreader in order to find someone to put the final polish on his masterpiece. He has a headache. Who should he trust to do the job? It’s personal to him. It’s taken 7 years, 19 months and 3 days to get this far and he doesn’t want to blow it. There are thousands of proofreaders out there. He wants someone who knows what they’re doing, who has experience, but there are so many to choose from who fulfil his criteria. It’s like an editorial minefield. Lots of them say they proofread fiction, even the particular genre of fiction that his novel falls into, so how’s he going to make a decision? And how are you going to help him?
Why should you include a portfolio?
I’ve lost count of the number of times that people who’ve selected me over other proofreaders told me that they liked the fact that they could see a list of projects I’d worked on in the past – my portfolio. When a political science student visits my website because she wants her Master’s dissertation proofread, I can show her a list of 17 books that I’ve worked on in the same field. If a publisher is looking for a proofreader with experience in proofreading business and organization studies titles, they can peruse a list of 28. For law, I currently have 15 titles listed, though I’m due to add a couple more in the next two weeks. If Mr Indie Author, whom we met earlier, wants his novel worked on, he can see that I’ve done the job on 30 previous occasions. All this gives the potential client confidence in your ability to do the task you claim you can.
Google Analytics tells me that (my blog aside) the #1 page on my website in terms of page views is my home page – 13,000 this year. The #2 page on my site is the one entitled Qualifications, with 2,831 hits. Coming in at #3? It’s Portfolio, with 1,976 hits. So around 15% of visitors to my website are interested enough to want to know what I’ve proofread (though they’re even more interested in where I trained). Many of these visitors are curious colleagues who read my blog, but some are authors, students, business people and publishers who turned into clients because what they saw there matched their requirements.
Where should you put it?
If your portfolio is extensive, I’d advise placing it somewhere other than on your home page. Your home page should be clean and crisp; it should help the visitor navigate their way around your site easily. If you work in different market segments you might consider following my lead and including buttons on your home page that link to different portfolios – I chose academic, fiction, and commercial non-fiction but you might decide to do it by subject area or client type. It doesn’t really matter as long as the information is clear and easy for your visitor to locate.
How should you do it?
Simple web-text lists: My preferred way is simply to put the list in full view on a dedicated page. This will make it easy to find for your visitors and ensures the information they seek is right in front of them. If you have a large, rather unwieldy portfolio (my Academic Portfolio page is a good example), it’s worth embedding jump-to instructions to help your readers navigate. For more information see my article Website Tips for Editorial Pros: Using Jump-to Instructions.
PDF: Another option is to upload PDFs – if you have a large portfolio this will ensure your website is less cluttered, but it means visitors need to have PDF reading software. Some of your less tech-savvy clients might not have this or might be nervous about downloading files.
File-sharing tools: You can also use a file-sharing tool like Box or DropBox. Again, however, this is making things even more complicated for your visitors because they have to have Box/DropBox accounts. Keeping things simple is often the best way.
What if you don’t have a large portfolio?
While you’re building your business and your client base, your portfolio may look a bit on the thin side. In that case, call the projects “selected works”. Flesh out the page with testimonials. If you haven’t received any, then ask your clients if they’d consider writing one for you. Most are more than happy to oblige. You can also create a client list to show visitors who you are working with. Consider the portfolio a work in progress and add to it as you go along.
Ideas for you to try
Take a look at the different approaches some editorial freelancers have taken to promote their portfolio online.
- An Eye for Perfection: Editor and proofreader Jennifer Hinchliffe includes a “Portfolio” tab on her menu ribbon. With one click her visitors can access a portfolio that is sharp, easy to read and really attractive to the eye. Jennifer’s elected to limit her portfolio to the past couple of years’ worth of work. She’s gone for clarity over clutter.
- Louise Harnby | Proofreader: I, too, have a “Portfolio” tab on my ribbon menu that links to three separate portfolios: academic, fiction and commercial non-fiction. I have a large portfolio of work in a number of academic specialties. I’ve elected to compromise on the issue of clutter in order to provide a really comprehensive overview of my experience.
- Biomedical science editor and journals specialist Anna Sharman lists all the periodicals she’s worked on in the “Freelance experience” section of her website Sharmanedit. There’s a link from each journal title to its publisher. This is clever because Anna makes her portfolio into a resource centre for her potential clients and maximizes her SEO while promoting her own expertise.
- Beth Cox at Without Exception also uses a “Portfolio” tab, but this time the projects are presented article-style. This gives the visitor a real sense of Beth’s commitment to inclusion issues, a core focus of her business, by telling the story of her editing work past and present.
A cautionary note … ask first
Always ask permission. There are some big-name businesses who forbid their freelancers to use their names or products for self-promotion purposes. A student may prefer you to wait until they’ve been awarded their Master’s or doctorate before being listed, while a journal article author may prefer their paper to have been accepted for publication first. Publishers tend to be fairly relaxed about this because their marketing lead times are so long, but an independent author may not want you listing their book two months before they have a major blog tour arranged! Ask first.
Louise Harnby is a freelance proofreader based in Norwich, UK. She began her publishing career in 1990 with medical publisher Williams & Wilkins. Later, she moved to SAGE Publications, where she spent 15 wonderful years in the world of social science. She set up her freelance business Louise Harnby | Proofreader in 2005 and specializes in proofreading social science, humanities, fiction and commercial non-fiction books for academic and trade publishers. Connect with her at: @LouiseHarnby, linkedin.com/in/LouiseHarnby and facebook.com/LouiseHarnby, or visit her blog, The Proofreader’s Parlour for more editorial business-building tips.
16/11/2012 | Admin
As we recently added the category of Publishing Services to the Find a Proofreader directory, we thought we’d ask our first advertiser in the category to write a guest blog about self-publishing. Claire and Rebecca of The Writers’ House UK share their thoughts on this exciting, fast-growing industry.
If you are on a budget, this option could well be for you. If you were to self-publish, it would mean that you would have to wear all sorts of different hats as you became:
- an editor/proofreader
- a designer
- a media specialist
- a computer expert
- a marketing/PR consultant
- a good people person/communicator
- a printer/printing house
- an agent and publisher
- a warehouse stockist, distributor
- a salesperson.
These days, there are all sorts of ways you can self-publish your book, including CreateSpace by Amazon, pnic.com in India if you want to break into the Apple market, and LuLu.com (a print-on-demand self-publishing website), amongst many others, where you can download your own manuscript and have it put into book format. Even Penguin now offer the option to self-publish. You can then sell it either in printed form or as an e-book through their site and/or through your own website. Check out our custom-built author websites with blogs for your very own website and to view sample websites of what yours could look like at www.writershouse.co.uk.
Previously, self-publishing had always been seen as a sign of desperation because you couldn’t find an agent or publisher prepared to take it on, but times have definitely changed and these days it is the accepted norm. And with increasing access to the Internet and social media, the options are even more mind-blowing and authors are now moving towards self-publishing, bypassing conventional, tried-and-tested means.
There seems to be a general reluctance in today’s market for publishing houses and agents to accept manuscripts from unknown authors. Publishers are extremely selective in what titles they are prepared to accept these days and so they tend to take only best-sellers, which include titles by Peter Andre or politicians, for example, or ones which have a guaranteed market for sales. This means that previously unpublished authors struggle to get their work noticed and they have a hard time breaking into the publishing world, unless they choose the self-publishing option. Either way, if you do decide to self-publish, you will need to bring your work up to a publishable standard by getting your work edited. For a bespoke proofreading and editing service, visit our website at www.writershouse.co.uk for further information.
The media are under the misguided, preconceived idea that no author should have to invest in their book. Self-publishing has been labelled ‘vanity’ publishing for many years now. Well, let us tell you who did it in the past: James Joyce, Deepak Chopra, Mark Twain, Virginia Wolff, e.e. cummings, Rudyard Kipling and Benjamin Franklin, perhaps the most surprising being Beatrix Potter.
So don’t be disheartened and be prepared to persevere and to research different options. As Ray Bradbury once said: ‘You fail only if you stop writing’. And as Frank Sinatra once said: ‘The best revenge is massive success’.
At The Writers’ House UK, we have three bespoke publishing services which can be tailor-made to suit individual needs and budgets. For more information, visit our website: www.writershouse.co.uk.
08/11/2012 | Admin